B:Assmaster

Designed for bass but guitarists discovered the secret: that harmonic, octave-up snarl works even better on six strings. Aggressive, cutting, with upper-frequency content that slices through any mix.

The octave-up harmonics add bite without requiring actual pitch shifting. More like harmonic emphasis that creates aggression and presence. Notes snarl rather than smoothly distort.

Not polite. Not subtle. The B:Assmaster bites, and that's the point. For players wanting fuzz with teeth, with aggression, with that octave-enhanced nastiness that demands attention.