Yellow

Geiger Counter Pro

Distortion

Bit Crusher

Pro: 512 wave tables with morphing, 16 presets, MIDI, dual CV/Expression, dry/wet mix—300mA/9V, 680g.

The Geiger Counter Pro expands original Geiger Counter into professional-grade digital destruction platform with 512 total wave tables (double the original's 252), wave table morphing capability enabling smooth transitions between algorithms creating evolving textures impossible with discrete wave table switching. 12-bit signal path (compared to original's 8-bit) provides increased resolution and dynamic range while maintaining controllable digital character. 16 foot-switchable and MIDI-switchable presets store complete parameter configurations enabling instant recall of complex sonic configurations without manual knob adjustments.

Full MIDI parameter control on Channel 1 enables integration into MIDI-equipped pedalboards and studio rigs, two assignable CV/Expression inputs (0-5V, 50kΩ impedance for CV; 10k-100k linear TRS for expression) provide real-time modulation of any parameter creating dynamic evolving tones responding to external control voltages or expression pedal movement. Dry/wet mix control blends clean signal with processed signal maintaining clarity while adding digital destruction, end-of-chain low-pass filter tames harsh high frequencies. Knob and CV soft take-up on preset load prevents abrupt parameter jumps. RAND button generates random sound combinations for instant experimental textures. Relay true bypass, Strymon Power compatibility, reverse and overvoltage protection.

Dimensions 147x121x64mm (5.8x4.75x2.5"), weight 680g (24 oz), input impedance 380kΩ, output impedance 1kΩ, requires Boss-style 9VDC center-negative power at 300mA draw. Revision 2.14 as of 2024. The Geiger Counter Pro targets professional players and sound designers seeking comprehensive digital destruction with preset management, MIDI integration, and CV control, suitable for industrial, electronic, and experimental music where complex bit-crushing textures, wave table morphing, and real-time modulation create evolving sonic chaos impossible with standard distortion pedals or basic digital effects.