Dot Dot Damage

The Dot Dot Damage is Travis Johnson's take on capturing a specific sonic moment: the massive, broken distortion sound that happens for a few seconds after you turn off a tube amplifier while a fuzz pedal is still active. That grotesquely ugly yet oddly beautiful tone is the starting point for this hand-wired Brooklyn pedal. The circuit uses a series of five matched JFETs and two highly interactive Bias knobs that dramatically reshape the signal path. Combined with Tone and Volume controls, these Bias knobs let you dial in everything from clean overdrive to huge smooth fuzzes, all the way to crazy gated and glitchy broken tones. The two Bias controls interact in unexpected ways, creating a massive range of dirt textures that respond differently to your playing dynamics. Featured on the JHS Show, the Dot Dot Damage covers massive midrange fuzz tones, screaming blasts, overdrive, and savage gating effects. It's a wild, strange distortion pedal